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A suggestive notion that comes up from time to time in Tibetan Buddhist teacher Chogyam Trungpa’s writing and talks, which may seem contradictory, or at least unfamiliar, is “non-mastery.” Mostly we’re conditioned to consider mastery desirable, particularly in craft, and in most work-related endeavors, as we’re accustomed to hearing about (and respecting) master builders, masterful musicians, martial arts masters, yoga masters, spiritual masters. The last, especially, Trungpa would consider particularly susceptible to spiritual materialism—the use of spiritualist techniques to strengthen and solidify ego, to feel better about oneself, to gain a sense of importance through spiritual attainment, to develop special powers that enable you to seduce or manipulate others—and ultimately delude yourself even beyond what a mundane, non-spiritual materialist would be capable of.

So, non-mastery: being fully at ease with things as they are; not irritably chasing after resolution of contradictions (or after “closure”); basic comfort with oneself in spite of imperfections (though not neglectful of efforts to meet challenges skillfully).

The subtlety here is that skillful response to challenges is still important, the ability to solve problems with wisdom, insight, compassion, is a crucial capacity (and here I’m elaborating on Trungpa’s direct statements, but it’s all true). But don’t get stuck on how great you are because of what you can do. Non-mastery.

Toward repairing the world: it’s up to us to maintain it, continually correcting our course—not for the sake of personal gain (although through the making of things there’s an exchange that’s sustaining[1]) but because of loving the world fiercely and wanting to make something that is a gift for its benefit, an offering, which operates by awakening delight in beings who encounter it and inhabit it.

Mastery is not finality but refinement. Acknowledgment and recognition for doing something well are helpful but too easily mistaken for an end-state or goal (useful but not sufficient). 

Restraint provides a necessary resistance to being overwhelmed by the vastness of the task. Allowing the action to arise without becoming an actor may be tricky, but ultimately there's no other way to do something as a full offering. By getting out of your own way you can become receptive to something that helps move toward fuller awareness. Is this completion? So far no, only further development.

Mastery is only relevant if it develops with this attitude of moving forward, not getting stuck. Getting stuck is inevitable at certain points and getting unstuck is part of the process of developing mastery, but isn’t itself mastery. Mastery does imply a certain facility with disentangling.

 

The term mastery also implies a power relationship—think of slavery. Domination is essentially a non-ecological attitude.[2] But considering the origin of this term, we can see some ambiguity: the word “dome” (which, as well as referring to a hemispherical roof, is also the French and German term for cathedral), comes from Latin domus and Greek dōma, meaning house, and shares the same root as dominion, domain, dominate and domestic (and also danger and despot). So somewhere along the way, we might find a positive (or at least neutral) connotation—something like “householding.” Of course, in the cultures that produced this idea, a householder was thought of as the authority—the master of his domain—and the most developed moral codes of the day required ethical treatment of one's slaves but did not question the existence of slavery. [3]

The phrase from Genesis that’s often been cited as a philosophical basis for exploiting the earth, “You shall have dominion over all the living beings” seems to be a mistaken translation. The Hebrew prefix a (b’) attached to a word means “with”—not “over.” So that statement more reasonably reads, “You shall rule in relation with all the living beings”—a much more ecological statement.



[1] And of course it’s important to be compensated and rewarded for one’s labor.

[2] Though it’s not unrepresented in other animal species, and popular interpretations of Darwin contend that competition for resources is the law of nature—but now we recognize that within most species, and even among different species, cooperation is the norm, and that predator-prey relations tend to operate in dynamic balance, unless disrupted by, for example, human-induced habitat destruction.

[3] The Latin word for God, Dominus (typically translated as “Lord”) means something like Master of the World.

Displacement

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The Environmental Justice Foundation estimates that by 2050, 150 million people will have lost their homes as a direct result of climate change, from drought, flooding, desertification, rising sea levels and extreme weather events. How many millions more will become political or economic refugees because of indirect effects—social instability and unsustainable agriculture, military incursions, ethnic and tribal conflicts that arise in conditions of stress and scarcity, among other factors—is difficult to assess. (Not to mention any of the other mundane, ongoing causes of forced migration.[1]) How will the rest of the planet absorb these people?

Since the beginning of industrial development, rural villagers have crowded into cities—sometimes voluntarily, but often as a result of combined environmental, economic and political pressures (in some cases abetted by dubious advertising, sleazy promoters suggesting wonderful opportunities). Not that rural poverty is the best possible life, but concentrating 70 percent of the world’s population in increasingly uninhabitable cities is clearly not the best alternative.

 

At Tule Lake

“The Modocs’ grief was for a whole relationship to the natural world and to a specific place, for their culture and community, while the grief of those who produced and profited from their loss was purely personal.”[2] In this statement, Rebecca Solnit describes both parties to an indigenous displacement in terms of grief—the military conquerors who forced the Modocs from their ancestral homeland (in 1873) suffered both private losses and their own ancient inheritance of exile, a separation from place and connection to land that in some ways enabled—or at least coincided with—European technological advances and colonizing impulses. The trauma of their early, mostly forgotten, displacements survived as the willing suspension of empathy that fueled the engine of conquest.

The Modocs were driven from the land of their birth, the center of the world where they had always lived, the place that had nourished and supported them from the beginnings of time. The place was the heart of their culture and the basis of meaning in their universe. To be pushed even a few miles away was irreconcilable. A complete rupture. Recovering that land someday could, perhaps, repair some of the damage, but so much specific knowledge is lost when this sort of intimacy with a place is destroyed that it seems unlikely ever to be fully restored.

The deepest loss is of that intimacy, which is the core of indigenous experience in a place, of a place. Even if old stories are remembered, even if the language survives (or is revived), without the deep everyday experience of the specific subject of the stories, there’s a degree of understanding that is simply unavailable. Who knows how many dozens or hundreds of generations it takes to develop?

And yet, change is inevitable, and developing strategies of engagement, of honestly learning to meet a place, seems preferable to simply lamenting its demise.




[1] “The number of people forcibly uprooted by conflict and persecution worldwide stood at 42 million at the end of last year amid a sharp slowdown in repatriation and more prolonged conflicts resulting in protracted displacement. The total includes 16 million refugees and asylum seekers and 26 million internally displaced people uprooted within their own countries.” UNHCR press release, 6/16/09.

[2] Rebecca Solnit, River of Shadows: Eadweard Muybridge and the Technological Wild West, pp. 116-117.

When the so-called swine flu threatened Egypt (land of the Pharaohs), the government decreed that all pigs would be destroyed. Of course there was no epidemiological basis for this. It was really just a convenient ploy for further marginalizing an already degraded group of tribal Coptic Christians living in the mountains above Cairo.

It turns out these pig-herders, known as zabaleen (“garbage collectors”), are the recyclers of Cairo—perhaps the noisiest city on earth, now also one of the most putrid. Many of the zabaleen are descendents of poor farmers, displaced from their land for a combination of environmental and political factors, who came to Cairo in the 1950s. They turned to garbage collection because Muslims consider it unclean. By hand-sorting, the zabaleen have successfully recycled up to 85 percent of the garbage they collect.[1] Until recently, the organic waste was fed to their pigs.

But without their pigs to feed, the zabaleen don’t have much incentive to remove food waste from the ubiquitous street-corner piles of it. Without a functioning alternative strategy, the food waste rots in the streets.[2] There seems to be a lot of it.

Everybody loses: the pigs are dead, the zabaleen deprived of a crucial part of their livelihood, the streets of Cairo stink. Of course there’s no impact on the spread of H1N1 or any other infectious disease, except perhaps to worsen conditions that increase their impact and spread them further—so perhaps there is a winner after all, if you consider the pathogens. With respect to the delicate and severely stressed ecology of a human settlement such as Cairo, it seems all of this demands a more rational sort of attention.



[1] “From Cairo's trash, a model of recycling,” Jack Epstein, SF Chronicle, 6/3/06.

[2] “Garbage piles up in Cairo after swine-flu pig slaughter,” Michael Slackman, NY Times, 9/19/09.

An article in the NY Times about builder Dan Phillips ("One Man's Trash ...") cuts to one of the core issues of green architecture and sustainability: if we can't afford it, it won't be sustainable. Isn't this obvious? So in the midst of all sorts of companies producing and marketing innovative products that might even be useful, here's someone using salvaged materials for practically every aspect of the houses he builds. Beyond that, he will only work for people who work on the houses themselves--the sort of investment that keeps people connected to their places, and perhaps provides an experience of the place with an inkling of the sacred. (Here's a direct link to his website The Phoenix Commotion.)

Reuse of building materials has a venerable history. For many centuries, Sardinian builders have appropriated stones from the Neolithic nuraghe structures that dot the countryside. The boomtowns of San Francisco, Sacramento, Benecia and assorted other Gold Rush settlements began with dismantled ships that more often than not had simply been abandoned on arrival. In many parts of the world, the process is simply a given: you use what's accessible. Beyond convenience, it's a matter of necessity. But even where it's not an economic or logistical necessity, at a certain point, it's also a matter of integrity, to use what's at hand instead of generating so much waste.

Let's not forget Gandhi and Laurie Baker. Among Gandhi's dictums was the suggestion to only use materials found within a five-mile radius. (Compare that with the LEED criteria for "local sources"--their certification process recognizes a 500-mile radius as close enough. Of course, we're talking about vastly different infrastructures between India of the mid-1900s and, say, California in the early 2000s. But still, is Winnemucca, Nevada, reasonably local to San Francisco?) The British-born architect Laurie Baker accepted an invitation from Gandhi in the mid-1940s and spent the rest of his life in India designing and building structures that emphasized simplicity, beauty, affordability, appropriateness to local conditions and use of salvaged and local (in Gandhi's sense) materials. He left a legacy of devotion to Right Livelihood that deserves serious consideration.

Take Your Time

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The whole neurotic business of striving toward one accomplishment after another with no pause for a cigarette (at least since tobacco lost its status as a valid pastime--makes me wonder if there's still an Israeli brand called TIME, as there was in 1987) or to dip several toes in the cool, shady creek or, for that matter, to give up on something more or less proven to be useless and not actually even very delicious--how is it possible to get anywhere important when it's hardly possible to get a simple thing done well?

The point is that endless production of useless artifacts (not actually deserving even that description, for the most part) gets in the way of taking it easy (Walt Whitman called this "loafing"), which is not the same as laziness--ease suggests a light touch: this is important. Ease is a necessary condition for generous reverence (and reverent generosity), a receptive atmosphere in which it's possible to hear the crickets and not choke on the coffee. Very important. Taking is more problematic: at least a few ancient attitudes about it are distinctly negative--grasping after wind, greedily pulling too many fish into your bucket, that sort of thing. But still, taking ease really is entirely different than clawing your way through someone else's wad of cash (keep your hands off of my stash ...).

How long does it take to make something? How long does it take to make something better, even modestly better than average? I'll let you know as soon as I finish this instrument I'm working on. It's the harp/santur that gets mounted on/in the south wall of the earthen cottage I've built here, and it's not done yet. In all honestly, it will probably be done in a couple of weeks, more or less. (Not what you were expecting to hear? thought maybe months, or years?) Not a major burden. Previous instruments have taken me anywhere from two or three weeks to two or three years. My favorite luthier, Fred Carlson, builds about one instrument a year, more or less, as his full-time profession. In his case, the question would be more reasonably, "How long does it take to make something outrageously beautiful?" (A couple of years ago I interviewed Fred about his creative/constructive process--I hope to publish some version of that one of these days, with his permission.)

Americans are famously materialistic about time. That comes from the Puritans, probably, or perhaps from the Germans (who have more descendants in this country than any other group). But that first modern American (though he leaned toward France late in life) old Ben (or Poor Richard or whoever) got it wrong, if he was being serious: time is in fact not money (except perhaps in Berkeley, where the local currency known as BREAD takes an Hour as the basic unit of exchange ... if it's still in existence). Okay, perhaps it is, more or less. But not really. What I mean is, the less time has to be related to money, the more valuable it becomes. Our time is precious especially when it is not being bought and sold. As soon as it's commodified, it flattens--has fewer dimensions, becomes dry and linear, doesn't show you much that's inspiring to your life, to your deepest being.

We try to package our moments, stuff too much into prefabricated cartons, received notions of the right way to do things so often resting on no real authority but convention. Stiff habitual patterns. But the devious winds of the open road scatter all those annoying styrofoam shells every which way, no regard for the best intentions. So take your time and play with it. Have a playful attitude. The only reasonable perspective.
Right livelihood

As a practice and as an attitude, sustainability can be considered a rough translation of certain quietist tendencies that have always run parallel to the noisier pursuits of most times and places. Simply stated, these perspectives give primary status to nature (while perhaps recognizing that humans are not separate from nature) and secondary status to the ambitions of kings and conquerors, considering the latter to be (full of) so much ... wind. Nature is the source of virtue and beauty, though it may be rough or rustic. Dense aggregations of humans are the source of corruption, pollution, degradation. And yet somehow the festering population centers continue to seduce with their questionable enticements, dominating the argument through sheer bluster. The rejectionist/renunciate factions may generate a sizable following in their own time or afterward, but so far have rarely been able to tip the balance.

These rejectionists see the sloppy excesses of civilization as the basis of an eventual (some say imminent) collapse--the empire overextends itself, the resources cannot meet the demand, habitats are destroyed, living beings can't adapt--and voluntarily submit to material deprivation (more or less) as a modest corrective, as an example, or simply to remove themselves from the filth. Perhaps it's an effective pressure-release for the culture as a whole. Perhaps no more than a personal escape. Either way, it originates in a perception of scarcity--there's not enough food to go around, a situation that will only get worse--but also out of empathy, which shouldn't be dismissed as a motive. 

The Taoists are famous for "non-action"--which doesn't necessarily mean you shouldn't do anything. More accurately, non-action recommends studying the patterns of nature and acting appropriately according to the conditions of each changing moment, as if you were nature. Buddhists will say "yes, you are nature, but don't be selfish"--in other words, dhamma (nature, law of nature, practice according to the law of nature) gives us the opportunity and obligation to train in a way that relieves the suffering of all beings.

A utopian aspiration to be sure, but nothing really foreign to any sensible child. Without empathy for the suffering of others, humans would never have developed viable groups. In fact, animals of any sort wouldn't bother protecting their offspring. Empathy is the basis of social morality: the Golden Rule, the Hippocratic Oath, the Bodhisattva Vow. If something is distasteful to you, don't impose it on someone else. First do no harm. May I attain wakefulness (consciousness, understanding) for the benefit of all sentient beings.

Ethics is a Branch of Aesthetics

When we talk about ecological sustainability, we're saying exactly this: we want a healthy world, a living planet of interconnected, alive places, populated by beings who are able to at least discover ways to not destroy ourselves, each other or our home. Crucial in this is the health and happiness of the inhabitants, who otherwise, when subjected to misery of any flavor, tend to neglect anything but the most immediate demands of survival. 

When we see or hear something that bothers us, it bothers us for a couple of intertwined reasons: 1. we can relate, 2. it's ugly. 

Pollution is ugly. Torture is ugly. Pain and misery are ugly. I don't mean this lightly, as if calling something ugly diminishes the tragic reality of any of these things. To put it another way: toxic sludge tastes bad. It smells bad. It makes us ill. We want it gone. Not only that, but if we hear about it oozing out in someone else's kitchen, we might experience empathic revulsion. We might want to avoid complicity in its occurrence. We might be inspired to help clean it up, even if (or perhaps particularly if) we bear no direct personal responsibility for the mess. (Psychopaths and autists lack empathy, so might not be bothered in the usual way, but if we can avoid putting such persons in positions of power we'll at least have a hope of reducing the stink.)


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This page is an archive of recent entries in the right livelihood category.

pollution is the previous category.

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